Karl Fraunhofer delivers Nightclubber mix

Karl Fraunhofer is a DJ and producer with over two decades of experience in the electronic music scene. Rooted in house music but effortlessly blending elements of techno, his sound reflects a deep connection to the energy of the dance floor and the emotions of the moment. Hailing from Oslo, Karl’s journey began in his youth centre, spinning records as a teenager, and has evolved into a dynamic career that’s seen him become a staple of the Norwegian nightlife scene, with Jaeger Oslo as one of his key creative playgrounds.

A member of the renowned Det Gode Selskab crew, Karl has a knack for creating music that resonates with audiences while staying true to his creative instincts. Ahead of the mix he delivered for us - which you can check out below - we decided to check in with Karl for a quick chat...

How did you first get involved with the Det Gode Selskab crew, and what impact has that had on your music?

It all started when I was playing live techno back in the day. Terje, aka Tod Louie, found me locally and invited me to play at one of Det Gode Selskab’s events. The chemistry was great, and we started working together from day one. With my technical and production background, a production facility quickly emerged.

Can you describe the split personality you mentioned in relation to your music? How does that manifest in your work?

There’s no split personality now; I started with house music 24 years ago. Sometimes I go back to techno, but don’t house and techno naturally complement each other?

What was your first-ever experience playing at a party or club? How does it compare to where you are now?

My first gig was at my youth centre as a teenager, playing records. Things have changed drastically since then, with music now being the central focus.

Your studio is packed with synthesisers and gear. What’s the most essential piece of equipment for your creative process?

I’d say my drum machines and modular synths. I usually start by jamming and let the process unfold from there.

‘Protect the Party’ is your latest track. Can you tell us the inspiration behind it and what you want listeners to feel when they hear it?

It was born during a late-night session with Tod Louie when we probably shouldn’t have gone to the studio – but we did. He grabbed the mic and started talking. Later, while finishing the track “Trixie,” we stumbled across that recording and built a simple beat around it. It’s all about celebrating the party people!

What’s your creative process like when you’re switching between Fraunhofer’s bouncy house sounds and techno?

It depends on my mood and emotional state. I switch between the two intuitively.

Jaeger Oslo is a staple of the Norwegian nightlife scene. What’s it like to play there, and how has the club influenced your career?

It’s always fun, even in -20°C with freezing feet. The crowd’s energy really warms your soul. Playing there has positively influenced me – it’s the perfect place to test new music, with an audience that’s there for the sound.

You’ve mentioned your music often doesn’t have a defined goal. Does that approach ever pose challenges in the studio?

Writer’s block happens to everyone. When it does, I listen to records or recharge by heading into the woods – classic Norwegian therapy.

How has your work as an audio engineer and synth modifier shaped your music production?

Not much, to be honest. I try to keep those technical aspects separate, as creativity doesn’t follow a strict set of rules.

How does Oslo’s vibrant nightlife and culture influence the music you produce?

Oslo is my home base, but most of my inspiration comes from travelling. I bring those influences back to the city.

What does your track selection process look like when you’re DJing? Do you prefer showcasing your own music or blending it with others?

I love blending my tracks with others because there’s so much great music out there by talented producers. I DJ based on the crowd’s energy, so I never prepare a set. Packing my record bag sometimes feels like fortune-telling!

Can you pinpoint your big breakthrough as a producer? What was the moment you felt things started to change?

It’s been a gradual incline, but one standout moment was our Det Gode Selskab event the day before the COVID lockdown. Over 4,000 people showed up at the old main library – that was a turning point.

Are you a confident producer, or do you often second-guess yourself in the studio?

Haha, it depends on what side of the bed I wake up on.

Who do you make music for – yourself or others?

Both, I guess.

Who has mentored you throughout your career, and who do you really look up to as people and musicians?

That’s a tough one. I’d say I’ve mostly mentored myself. The industry and other producers inspire me, but there’s no single person I look up to.

What are your ultimate goals as a musician? Do you feel like you’re on the right path to achieving them?

My goal is to be independent alongside my partners, and I think we’re on the right track. I’d rather grow steadily than rush into things.

What hobbies or interests do you have outside of music, and do they ever influence your creative work?

Nature, people, and social gatherings. It’s important to balance music with other aspects of life.

Finally, you’ve also provided a mix for us. Can you tell us a bit about that?

Protect the party! It’s a blend of my own productions and tracks I love – the perfect mix to dance and party to. 😄

Keep up with Karl Fraunhofer on Instagram

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