Relledocs chats all things Vibra...

Relledocs has quietly carved out a niche as one of the most introspective and vision-led producers in the European minimal scene. His music doesn’t shout—it invites, pulling listeners into a world shaped as much by feeling as by function. With releases on Whoyostro, Vandalism Musique, Inwave, and his own label Vibra, there’s a consistent thread running through his work: intention. Whether it’s the meditative pulse of “No More Idols” or the deep textures of “Creating Yourself,” Relledocs crafts with purpose, each release a snapshot of a larger inner dialogue. Vibra, both as an imprint and a creative outlet, echoes that same ethos—bold yet understated, visually futuristic but musically grounded in emotional resonance. In conversation, it’s clear that Relledocs isn’t chasing trends—he’s building a narrative. One that values collaboration, resists commercial pressures, and ultimately aims to leave a mark beyond the dancefloor. We caught up with him recently to learn more…

Let’s start by talking a bit about your music. How would you introduce it to someone who’s never heard it before? What track would you recommend that listen to?

First of all, I would present my music as a collection of elements that, as a whole, take you on an introspective musical journey. Each EP has its own soul and is created in the moment to highlight something specific within this personal musical journey. One of the tracks that best represents this idea is definitely No More Idols and Creating Yourself, released on the labels Inwave and Artier Dubs.

What is it about that particular piece of music you’re so proud of? 

I’m satisfied with the synergy between the various elements, which together create an evocative and minimal atmosphere—an introspective journey, just as I mentioned earlier.

How did your releases with Whoyostro, Vandalism Musique and Inwave come about, and what drew you to each of those labels creatively?

The two EPs I created for Vandalism Musique were born from the need to give the tracks a very minimal and Rominimal groove, drawing inspiration from and learning from the master Dubphone, with whom I immediately found a shared vision and understanding of the music. Poetry of the Night EP, released with Whoyostro, has more of a deep house vibe and reflected the label’s style at that time. On the other hand, Rinascimento, the single released with Inwave, was born from the fusion of melodic elements and pads, and it aligned with the label’s bold and forward-thinking direction.

When you're sitting on a finished track or EP, what helps you decide which label to send it to?

When I produce an EP, I never think about which label to send it to before it's finished. This gives me the freedom to create without any limitations. Once it's completed, I look for a label that matches the style of the EP.

Vibra Records has built a unique aesthetic both musically and visually—what inspired the sci-fi direction of the artwork, and how involved are you in that process?

When I decided to start the label, the first thing I had in mind was to give it a minimal underground identity, starting with the musical projects and then extending to the visual side. The idea for the graphic aspect came from an initial collaboration with my friend Dorsia, founder of the label Aura Multidimensional Techno, to create a minimal brand identity.The mastering work for the label is fundamental and is exceptionally handled by a great friend and mentor of mine, August Artier. His work perfectly reflects my vision of how the tracks should reach the listeners.

What do you listen for when someone sends you demos for Vibra? Are there certain elements that make something stand out right away?

As soon as I listen to a track that artists send to Vibra, I immediately grasp the overall vision and whether the track’s intent aligns with the direction of the label. I don’t follow specific criteria—what matters to me is the creativity within the track and the emotions it evokes in me at the moment of listening.

Your collaborations and relationships with Bordeaux ITA, Gabriele Borgia and Everaldho seem really natural—how did those connections first come about?

These collaborations, as you rightly said, are natural. From the very beginning, I felt a connection with these artists, as well as with all the others on the label. Each of them has a unique signature in their tracks, and on a personal level, we’ve built friendships that go beyond the professional side. For me, Vibra was born from this concept of transparency, mutual respect, and the creation of strong personal bonds—something that has been lost over time in a music industry increasingly focused only on numbers.

How important have those artistic friendships been in shaping your path and pushing your sound forward?

Definitely a lot, as I mentioned earlier—the most important part is sharing and constantly learning from others. This helps in the process of any project you undertake, not just in music.

Take us into your production routine—what does a typical day in the studio look like for you, and has that changed over time?

Actually, I don’t have a specific routine when I enter the production phase. I step into my own world and try to leave everything else outside, allowing myself to be guided by what’s in my head at that moment, regardless of the time of day I enter the studio. It’s my creative time, the time to tell a story.

How has your Italian upbringing shaped your approach to electronic music, both in terms of sound and the way you interact with the scene?

I was raised by my Spanish mother, who lived in various parts of Europe before moving to Italy, so I received what I would call an international upbringing. This has influenced the way I relate to people in general, and naturally, it also connects to my relationship with music. I’ve always followed artists from all over the world who fascinated me with the way they created their tracks, and through traveling across clubs throughout Europe, I came to understand what I wanted for my own personal scene—as an artist and for the label.

What was the local scene like where you grew up, and do you think there's a uniquely Italian perspective in the way people experience club music?

The local scene where I grew up wasn’t a well-established one with a true underground culture. As I mentioned earlier, you had to travel to experience something different—something that gave you the kind of vibes you were looking for. There’s definitely a uniquely Italian perspective when it comes to the clubbing approach, and many scenes are growing because people are starting to value this world more and more. I believe every scene is different in its own way, and that’s what makes it beautiful.

Why do you think electronic music continues to have such strong roots in Italy compared to other genres?

I believe that in Italy there have been pioneers who helped create a global movement. To mention one pioneer—Giorgio Moroder—he changed the history of electronic music. Work as impactful as his doesn’t simply fade away, and I believe that, despite everything, the roots are still firmly planted. Like every historical moment, there are ups and downs, and cultures evolve, but right now there are various perspectives that can contribute to building a strong and vibrant movement.

What are some of the biggest challenges you see facing the Italian scene right now, and what do you think needs to shift?

The biggest challenges for artists are definitely creating a meaningful scene and trying to bring something different to a country that may have lost an identity that was once very strong. In my opinion, institutions should be doing more to support this, even though we’re not there yet. But I’m confident we’ll get there—especially when I look at new event organizers who are bringing genres like garage and drum & bass into the Italian scene. As always, challenges are the most important ingredients for success.

You've played in cities like Barcelona—how does playing abroad compare to playing in Italy, and how does it affect your DJ mindset?

Good question. I’ve found total freedom in playing whatever I feel in the moment, and as an artist, being able to express yourself without barriers is truly rewarding. Traveling and performing abroad creates a new kind of connection with local people and gives you a fresh perspective on your production and live projects.

How do you approach a club set differently from a podcast or recorded mix? Do you prepare in a different way?

I prepare the same way every time—I don’t plan any setlist in advance. As I mentioned before, what’s fundamental for me is creating a connection in the moment, whether I’m in the studio or playing in a club. This approach allows me to fully explore different directions and craft a journey for the person who chooses to listen to my work. That’s my goal.

Are there any particular moments from Vibra’s catalogue that you feel best represent where you’re at musically right now?

Every artist I’ve featured on Vibra so far has brought something new to the project. There isn’t one specific moment, but rather a combination of elements that come together to shape the final result of the label.

Who were your earliest musical influences, and how have they evolved or stayed with you through your career?

My first musical influences were dubstep, drum & bass, and the garage scene, before moving on to Kraftwerk and then to Detroit. I also draw inspiration from the grunge and alternative rock scene.In recent years, I’ve been impressed by the minimal sound of artists like Barac and Petre Inspirescu. All of these influences can be found in my productions and in my overall vision of electronic music, which is constantly evolving.

Looking back at your first releases, how do you think your sound has grown or shifted over time?

It has definitely grown in technical terms, but not only that—I find my productions more mature and aligned with what I truly want to express. Right now, I find it easier to translate what I have in mind into the project, and this allows me more freedom to explore different production paths as well.

In a crowded digital space, what do you think helps an artist or label cut through and actually connect with listeners?

Starting from your own idea and personal vision is definitely key—an authentic and transparent project is a formula that helps you connect with the listener. As you rightly said, in a crowded digital space, you need to find a way to stand out so you don’t end up doing the same things as everyone else. I definitely believe that vinyl supports this approach—not only because I’m a fan, but because I truly think that’s the direction to go: a return to physically experiencing music and savoring something authentic.

How do you stay inspired and avoid falling into creative repetition, especially with so much music being released all the time?

I think this is the most difficult part—constantly creating fresh productions, if I can call them that. What I do is listen to music from different genres, draw inspiration from everything around me, and from the moments I’m living through. The creative phase is essential. Continuously experimenting.

What do you want people to feel when they hear your music, whether it's through Vibra or your own sets?

I love creating a connection with people and making them feel different emotions when they listen to a particular track or EP. Leaving something with the listener is the way to create something truly powerful. What I’d really like is that, once the track or my set is over, people take a moment to reflect—realizing that they, too, were part of creating that moment, and that for an instant, time stood still.

Finally, what’s exciting for you musically and personally right now? 

Right now, I’m really excited about the upcoming project with Vibra—a Various Artists release to celebrate the label’s first anniversary. I decided to create this VA with all the Vibra artists and more, and it’s going to be something really special. As for my own productions, several EPs will be released soon, and I’m happy with the work I’ve been doing—it’s bringing me a lot of personal satisfaction. There are many projects in the works... it’s going to be fun!

Keep up with Relledocs on Soundcloud and Instagram  

Keep up with Vibra on Soundcloud