Fernando Eirin chats new EP, Vindication

With a debut that doubles as both an artistic statement and a political call to arms, Fernando Eirin’s Vindication is a rare piece of electronic music that refuses to stay in the background. Fuelled by years of personal transformation, introspective growth, and a growing disillusionment with global power structures, the Madrid-based Uruguayan producer presents a work that is raw, emotional, and sharply critical of the systems shaping our digital and societal lives. As he opens up about his creative journey, his experience of censorship, and the deeper message behind the music, it becomes clear that Vindication is more than a track — it’s a confrontation. We caught up with him at an intriguing part of his life to learn more...

What inspired you to create Vindication, and how does it reflect your personal experiences?

I’d say in many ways. In fact, if it weren’t for everything I’ve lived through in recent years, Vindication wouldn’t even exist.

Back in 2018, I went through a major transformation. It took a few months, but I eventually saw things with clarity: I wasn’t happy — and more importantly, I was lost. A deep sense of emptiness and lack of purpose took over me. Something inside was trying to speak, something honest, something raw... And I knew I had to change again.

A few months later, I found myself in Spain. Alone. With no one and nothing — except for a powerful inner conviction that I was exactly where I needed to be. Something stronger than reason was guiding me to trust my intuition.

I’ve always loved Spain for many reasons. And as a Uruguayan with an Italian passport, I decided to begin this new chapter.

At first, I lived however I could — but I didn’t care. I was finally connecting with myself. I began a deep introspection, facing my life like never before. I realised that only I could change things. I learned to accept everything — even pain — with compassion. I also started reflecting on society, our surroundings, and what the meaning of life truly is, from my point of view.

Over these years, I slowly started to find my path — one not shaped by external expectations. Inside, I began to feel lighter. Yet, there was still a strange feeling in my gut — one that had followed me for years. It wouldn’t leave until June 2022.

Becoming a composer was a turning point — the direct result of all these life experiences. Through music, I found a powerful way to express my emotions. It was like discovering a new world. A healing one.

As for the inspiration behind Vindication, there are many layers — and some are shown in the videos — but I’ll share one that stands out. It was here in Madrid when I watched Sorry We Missed You, a film by Ken Loach. It hit me hard. The raw, heartbreaking depiction of modern life left a deep mark on me. I remember sitting in the cinema after the credits rolled, unable to move, trying to process what I had just witnessed.

My first thought was: “If this is happening in one of the world’s most powerful countries — the UK — what hope is there for the rest?” I was overwhelmed with questions. I needed to understand how we had gotten here. Something clearly wasn’t right.

And that was 2019. As we all know, things have only gotten worse since then.

Can you elaborate on the message behind the track and why it was important for you to share it?

The message is conveyed in the videos in a dynamic and visual way, but at its core, it’s simple: if we truly want change, we need to raise our voices. These people won’t stop — they’re going all in.

And we have to recognise something important: they’re in those positions of power because we put them there. Elon Musk with Tesla, PayPal, and X; Jeff Bezos with Amazon; Mark Zuckerberg with Facebook and Instagram — the main platforms we use to communicate are all in their hands.

Of course, there’s manipulation behind it all. But ultimately, we — as a society — made the choice. Maybe we didn’t know where it was heading before, but now we do. Because now we’re living it.

The truth is, no one ever voted for them. And yet, we’re being governed by tech moguls. It’s insane how much power they hold — not just in terms of wealth, but over people’s personal data.

They control the cloud. They control finance. They control the narrative. But we cannot — and must not — let them control our minds. And even less, our emotions.

How did you approach the production of Vindication to ensure the music complemented its powerful themes?

Let me give you some context. In July 2023, after producing my first three tracks — El Remanso, El Olvido, and Mariposas — using nothing but headphones and a computer mouse, I realised something essential: I needed to learn. Everything.

So I enrolled in a music production course, invested in a proper setup — a keyboard, studio monitors, and a new machine. I can’t even describe the connection I felt with the keyboard. It unlocked a creative side of me I had never accessed before.

As I gained new tools week after week, I started working on two projects. When the course ended, I focused entirely on those two: Rosedal and Vindication.

At first, Vindication felt like a regular track. But one day, while working on a few particular sounds, I had a moment of realisation: I became aware of what I had been unconsciously doing all along — a confrontation.

A sensation ran through my body like I’d never felt before. I was literally translating my thoughts — my worldview — into sound.

That’s when I told myself: “Okay, this could be something special. But I can’t fail in the execution.” Because, just like in life, you can have a great idea — but if the execution isn’t right, the message won’t be understood. And if it’s not understood, it loses its meaning.

I accepted the challenge — and the consequences of expressing what I believe in. This is my first significant release, so in a way, it defines me. It puts me in a position that, given the current climate, could expose or even limit me. But I didn’t care — because I was being true to myself. And that, to me, is more important than anything else.

On top of that, I decided I would mix the track myself. I had never done it before, but thanks to the course, I felt I had enough knowledge to at least give it a shot.

Composing Vindication took me to emotional, mental, and physical extremes. I experienced moments of pure creative euphoria... and also some of the most desperate hours of my life.

I was pushing myself beyond my limits — working at least nine hours a day on the music, plus another four at my part-time job. But the job felt meaningless compared to the pressure I was putting on myself creatively. At one point, I realized: the passion — and, in a way, the obsession — that was driving me wasn’t optional. It was the only way.

What was your reaction to Meta censoring your promotional videos and how has that impacted your campaign

Sadly, it confirms exactly what I said in my first promotional video. Not only wasI censored when trying to promote it — they even cut part of the content. Ihonestly never expected that. Today, we’re flooded with millions of posts filled with hate, lies, and violence...and yet, if you speak about human rights — if your message doesn’t align withthe dominant narrative — you get silenced. It’s worse than I imagined.

Have you faced similar challenges with censorship or platform restrictions in the past?

No, just because I never posted anything regarding these topics.

How do you navigate expressing politically charged messages in your music within the current digital landscape?

I already touched on this in a previous answer, but this question gives me the chance to clarify a few things. I know some people will be quick to label me as a'radical.' But I grew up in a very conservative environment — I know exactly how that world works. And the truth is: I'm not a radical. Not at all.

That said, I do strongly stand by my convictions. I speak up when I see thingsgoing in the wrong direction in our society. I’ve always despised authoritarian regimes — no matter what side of the spectrum they come from. I’m a firmbeliever in democracy. But in real democracy — not what we’re currently living.What saddens me the most is that I always knew what to expect when it cameto human rights violations on one side. But I never imagined what’s happening now, on the side that used to stand for freedom of expression, for dialogue, for respecting others’ views.

That same side is now actively trying to dismantle everything — geopolitically, economically, and most importantly, socially and culturally.
And honestly, one of the things I never thought I’d see in my lifetime is someone like Elon Musk practically ruling the world. A guy who’s spent his life behind a screen, suddenly claiming to know what’s best for humanity. Someone with zero social awareness, a textbook narcissist. While the world is collapsing on all fronts, his main priority is Mars. His level of detachment from reality is just... surreal.
This reminds me of a book I read last year — The Bill Gates Problem by TimSchwab, nominated for the Pulitzer Prize. I’ve never read anything so detailed and revealing. It’s absolutely shocking.
And I mention this because just yesterday, I read that Gates is once again pledging to give away all his money to his foundation. The irony is, he said something almost identical 25 years ago when here branded himself as a philanthropist. Back then, he had $60 billion.
Today, he has over $120 billion. So now we’re supposed to believe him? That this time, he means it? That the first time was just... a warm-up?
Elon and Gates — they share the same mindset. The only real difference is that one wears a mask, and the other doesn’t.

In what ways do you believe electronic music can serve as a tool for political or social commentary?

I believe all forms of artistic expression are powerful tools. That said, music in particular has always had a unique ability to unify people — to turn many voices into one, and sometimes elevate that voice to another dimension. When it comes to electronic music specifically, its roots are deeply tied to resistance.

And if the enemy today is diversity, I can’t think of a more diverse and inclusive community than ours. So if you're part of this culture, you should also be aware of the real struggles many people within it are facing. I think it’s absolutely fine — even important — to have a commercial side to what we do. But we must never forget the true essence of our culture.

How has the feedback from listeners and the radio show feature influenced your perspective on the track's impact?

So far, most of the feedback I’ve received has come from professionals within the scene — and it's been very positive. I also shared the track with a few music enthusiasts, and their reactions were equally encouraging. That said, I believe the true impact of Vindication will only become clear as more people discover it and really take the time to listen.

Can you discuss the creative process behind the two videos you released alongside 'Vindication'?

I had a couple of meetings with Alberto Ferrari — who’s now supporting my career journey — where I shared the story and deeper meaning behindVindication. We had some really insightful conversations. Then, a couple of months ago, when we officially decided to start working together, Alberto suggested something that really resonated with me: he said it would be powerful if I could speak directly to the camera and share my thoughts — to explain what Vindication truly stands for. I immediately thought it was a great idea. But of course, it needed to be paired with strong visuals to bring everything to life.

What role do visuals play in conveying the messages within yourmusic?

Pretty much everything. Because the message relies heavily on visuals —they’re essential to fully developing the concept.
Of course, gaining visibility is always important. But in this case, the message is far more important than me. So if we’re not allowed to promote Vindication on platforms like Instagram, the campaign simply won’t reach the audience it was meant for.
That’s why we need your involvement in this initiative. We need to show that even if they try to censor the message, we won’t be silenced.
In a time where social media is flooded with content, getting your work seen and heard is already a challenge.
But if you can’t even promote it — then making an impact becomes nearly impossible.

How has your move from Uruguay to Madrid influenced your musical style and thematic choices?

Moving to Madrid was a turning point in every aspect of my life. Beyond being afantastic city, it constantly immerses you in culture and art — from museums and exhibitions to incredible music and sports events. But what I cherish the most is simply walking through the city, knowing no one— just me and my thoughts.

I believe that the accumulation of all these experiences — and more — truly awakened my creative side.

Are there elements of your Uruguayan heritage that you incorporate into your music?

It might share some similarities in the percussion with a well-known and popular sound.

How do you balance your artistic vision with the commercial aspects ofthe music industry?

I’ll answer this as a follower, because that’s the perspective I’ve been living from recently. I think there’s a huge business focus on the entertainment side of things — and that’s fine, it brings visibility and energy — but it’s also clear that the artistic side is slowly losing space.
You can see it in major festivals that once championed underground sounds. Inrecent years, the headliners have started to look the same across all events.And yes, that has a direct impact on the cultural depth of the scene.

I’m not sure why this shift is happening, but it’s leading to a more homogenised sound. The beauty of electronic music has always been its freedom — the endlessways to create and express. It used to be about discovering new styles and diverse lineups. You could explore and connect with different artistic visions.
But today, it doesn’t feel quite the same.

Last year in the UK, 125 clubs were forced to close due to rising costs and alack of support. I see this as a major red flag — and if we don’t take action, more will inevitably follow. It’s that simple. We’re talking about one of the most influential and culturally significant club scenes in the world.

What challenges have you encountered as an independent artist promoting music with strong messages?

Overall, the feedback I’ve received has been really positive. But reaching the right audience has definitely been a challenge.
First of all, I’m a new name — so it’s natural that people don’t know me yet.And it’s also clear that those more connected to commercial music haven’t shown much interest in the concept behind the project.

But the more we refine our targeting, the more I’m able to share my vision with the people who truly connect with it — and that makes all the difference..

How do you stay motivated to create music that challenges societal norms or addresses controversial topics?

That’s a tough question — I don’t think I can answer it right now. It almost feels like I’ve been making this kind of music for a long time, even though it’s all still very new. Maybe in a couple of years, if things go well, I’ll have a clearer answer.

You’ve received some great report on the release – how does that feel? Any that really stuck out?

It feels incredibly rewarding. All those months of pushing myself to the limit —trying to shape this abstract piece in the best way I could — were absolutely worth it. Of course, the most important response will always come from the audience.As for the last question — yes, I’ve received kind words from several people I truly respect, and I’m deeply grateful for that.

But if I had to highlight just one moment, it happened two days ago: I woke up, checked my inbox, and saw the line ‘downloaded for R Hawtin.’
Now, on its own, it might not sound like much — but for me, it meant the world. Richie Hawtin was my very first contact with Techno, back at the South American Music Conference in 2005, in Buenos Aires.

I remember walking into the techno room, seeing him behind the decks, listening to the music... and instantly realising he embodied both the underground spirit and the cutting edge of electronic music.

What advice would you give to other artists who wish to tackle sensitive issues through their work?

I don’t feel I’m in a position to give advice on music composition — but since your question relates specifically to something I created, I can share my personal point of view. I don’t think it’s something you can plan. As I mentioned before, Vindication came from deep within me — it was a genuine feeling, a real inner commitment.It wasn’t something I approached consciously.

In fact, I’m convinced that if I had set out with the intention to compose a track on this topic, the result would have been completely different — and probably far less authentic.

How do you foresee the evolution of electronic music in addressing global or political themes?

Since I started sharing my music, I’ve connected with several blogs and communities that are genuinely committed to their causes. But I’ve noticed thatthey tend to focus only on what directly concerns them. In a way, it feels like we’re seeing the trees, but missing the forest.
When a movement grows as large as the one we’re experiencing now, I believ ethe most powerful thing we can do is unify our efforts. Only then can we createa deeper, broader, and more effective impact. The real question, though, is whether there’s the will to do that.
Because it requires thinking as a collective — and not just your collective, buta s part of a greater cultural ecosystem. As a community rooted in music, I truly hope we can get there.

Are there any collaborations or projects in the pipeline that continue the themes explored in 'Vindication'?

Yes, we’re releasing three more tracks in the coming months — all in the same tone, but each with its own rhythm, sound, and character.
And I’m currently finishing up three more projects as well.

Reflecting on your journey, what does 'Vindication' represent for you at this point in your career?

I hope it’s just the beginning — not only of a personal journey, but of something that can grow, evolve, and connect with more people over time.
There’s still so much I want to express, explore, and share through music. If this is just the first step, then I’m excited to see where the path leads.

Keep up with Fernando Eirin on Instagram

Buy/listen to the release here