A chat with Accented Measures...

Meet Accented Measures, a Berlin-born, Manchester-based DJ and producer whose music reflects a journey through diverse cultural landscapes. Growing up immersed in the sounds of Ghanaian highlife and the vibrant electronic scene of Berlin, Accented Measures carries these rich influences into his dynamic house music productions. Since moving to Manchester, the city’s underground scene has further shaped his artistry, blending innovation with deep community roots. Whether through his alias-driven explorations or his forthcoming live debut at Mez Records’ event, Accented Measures continues to push boundaries, offering an ever-evolving sound that resonates across dancefloors.

Stay tuned for a night of creative energy at Stage & Radio on 14 December, where Accented Measures will showcase a captivating live set filled with surprises and his unmistakable groove. We caught up with him recently to learn more..

You’re Berlin-born but now based in Manchester. How have these two cities influenced your music and style as a producer and live act?

Berlin and Manchester have both profoundly shaped me. Growing up in Berlin, I was immersed in a rich spectrum of music, including the cultural sounds of Ghanaian highlife—thanks to my parents’ roots and their connection to the burger-highlife era. 

This unique genre was pioneered by Ghanaian immigrants in Germany, blending traditional highlife with cutting-edge musical technology like drum machines and synthesizers, which were widely accessible in German studios.  

Many of the artists quickly learned to program these instruments, using music as both a creative outlet and a form of escapism from the challenges of immigrant life. Despite these struggles, burger-highlife achieved global success, resonating deeply with the Ghanaian diaspora.  

It’s no surprise that I grew up surrounded by this innovation. I was often taken to parties where I witnessed the incredible creativity of my parents’ peers, and I was mesmerized by the vibrant vinyl LP covers of those records. One of my favorite albums from that era is Ɛyɛ Ɔdɔ Asɛm (It's A Love Story) by Charles Amoah, which remains a significant influence on me.  

On the other hand, moving to Manchester introduced me to its underground music scene, drawing me deeper into house music. Some memorable nights at Zutekh Vs Tpot (now Beatnik Collective) and Sankeys during my student years cemented my decision to start producing music.  

While Berlin nurtured my listening skills, teaching me to appreciate diverse sounds, Manchester gave me the community and platform to immerse myself in house music, shaping my identity as a producer and live act.  

What brought you to Manchester, and how has it shaped your journey as an artist?

I moved to Manchester with my family 16 years ago, and it became a pivotal part of my artistic growth. The city’s rich musical heritage, from the likes of A Guy Called Gerald etc, combined with its thriving underground scene, left a profound mark on me.  

Manchester’s cultural vibrancy taught me the value of community and self-expression, whether it was through collecting records, building an archive of influences, or attending 

iconic events. It’s a city that pushes you to grow artistically while staying true to your roots.  

Can you tell us about your early influences and your journey into music?

My early influences span Ghanaian highlife, abstract hip-hop from A Tribe Called Quest, Pete Rock & CL Smooth, and Gang Starr, as well as early 2000s R&B—especially anything produced by The Neptunes.  

Later, I discovered electronic music through house and garage compilations like Miguel Migs’ Nude Tempo One, which I still hold close to my heart. Late-night radio shows on KISS FM 98.8 in Berlin led me to explore artists like Booka Shade, Kollektiv Turmstrasse, Deadmau5, Crookers who were hugely popular at the time.  

Was there one moment in particular that really inspired you to take electronic music seriously?

There were a few defining moments. One was discovering Beats Modus 001, the debut EP from Cinthie's record label. It was a real turning point that opened my eyes to the artistry behind production.  

I even reached out to one of the producers from the collective, Ed Herbst, on Facebook. Although our interaction was brief—Ed may not even remember it—he shared valuable advice and sent me a Lately bass sample from the Yamaha TX81z. That simple act of generosity inspired me to dive deeper into music production.  

Another moment came while digging for music when I discovered Oli Furness ft. Elise - If I Was (Mikki Funk’s Deep Dub). That track really pushed me to pursue this path seriously.  

We really loved the Tensions EP from a while back. Do you feel pressure to follow up its success with new records? How do you approach this creatively?

Thanks, I truly appreciate that, and I’m grateful you premiered PPDB from the EP two years ago. To be honest, the Tensions EP didn’t perform as well as I’d hoped compared to AMSV001, partly because I was still emerging as an artist and the decline in vinyl sales in favor of digital formats affected its reach.

That said, it didn’t discourage me. I’ve since released follow-up projects like Vintage Orchestra with TOBI and a remix EP for Space Drift, among others. I’m grateful for the opportunity to collaborate with artists I admire and respect in the industry.

That being said, I don’t feel pressured to replicate its success. My approach to releasing music is driven by a genuine love for creating and sharing. Running a self-released label series has its challenges, but it allows me the freedom to take my time and craft projects at my own pace.  

What inspired you to create these aliases, and how do they allow you to explore different aspects of your creativity?

The aliases stemmed from my curiosity and love for music beyond house. During the pandemic, I built my studio and started exploring various styles, which influenced different facets of my creativity.  

For example, as Prime Cosmo, I curated a split project with my friend TOBI from Argentina called Vintage Orchestra, based solely on the Yamaha RX15 drum machine. Each alias gives me the freedom to dive into different sounds and ideas.  

How do your different projects—Accented Measures, Prime Cosmo, and Project Earth—complement each other, if at all?

The projects vary depending on my mood and the inspiration I draw from different sounds. For instance, I might go through a phase where I’m drawn to '80s grooves. A recent track that had this effect on me was 'On a Roll' by Royston Summers, released on LEGRAM VG's label. Hearing it instantly sparked the creative urge to explore a similar vibe in my own work.

The aliases complement each other by helping me become more familiar with my studio equipment and allowing me to channel my creativity into distinct directions.  

How did you come up with the name ‘Accented Measures,’ and what does it represent for you?

The name ‘Accented Measures’ was inspired by the Roland 909 drum machine and its creative use of accents to bring rhythms to life. It’s a nod to my production process and my respect for the tools that shape house music. The name represents both precision and flair—qualities I aim to bring into my sound.  

How would you describe the sound of Accented Measures? How does it differ from your other aliases, Prime Cosmo and Project Earth?

Accented Measures explores a broad spectrum of house music, weaving subgenres and influences into something versatile yet cohesive. Prime Cosmo focuses on 80s electro, while Project Earth ventures into experimental ambient textures. Each alias lets me channel different inspirations, keeping my creativity fluid.  

What inspired you to explore live performance as part of your artistry? 

A good friend, Lucas—a Brazilian DJ/producer/live act and affiliate of tINI AND THE GANG—played a major role in motivating me to pursue live performance. We shared many conversations and exchanged knowledge about music, and seeing his commitment to live performance inspired me to explore it myself. His guidance and encouragement were instrumental in this journey.

How does preparing for a live set differ from preparing a DJ set?

Preparing for a live set involves several key differences compared to preparing for a DJ set. For a live performance, careful consideration is given to selecting the right equipment that allows for intuitive control and fosters excitement. 

The preparation time can be more extensive, especially if you’re combining new and old projects or opting for live improvisation. For example, the live set I’ve been working on began around June, with preparation happening on and off since then.

In comparison, DJing generally requires less setup time but demands more in-depth research and track selection. 

What unique experiences do live performances bring to audiences?

Live performances offer spontaneity and creativity through improvisation, live remixing, and alternate versions of tracks that can only be experienced in real-time. 

For instance, I stumbled upon a snippet of Garrett David’s performance online and noticed that he performed a second version of his hit Mi Casa during his live set at Dimensions 2024. 

It sounded absolutely sick, and the enthusiastic responses on social media show just how much demand there is for these unique renditions. Moments like these highlight what makes live performances so special and irreplaceable and of course I took note of it. 

Can you tell us more about Mez Records and what it means to you to perform at an event curated by Sparky What can audiences expect from your performance at the Mez Records event on 14 December?

Mez Records has been a vital part of the North West’s underground music scene since its launch in 2015, originally as Mezzanine. Over the years, it has grown into a platform dedicated to supporting and showcasing emerging talent, while also hosting standout names like Truly Madly, Josh Baker, and Casey Spillman. Sparky’s vision for Mez Records is rooted in community and discovery, and being invited to perform at an event curated by him is a true honor.  

Stage & Radio’s newly transformed basement is the perfect setting for this special night, and I’m thrilled to be part of Mez Records’ first-ever live set. Without giving too much away, audiences can expect a performance that reflects my musical journey, with some surprises along the way. 

This is a milestone moment for both Mez Records and myself, and I can’t wait to share it with everyone on December 14th.

What excites you most about your upcoming debut live set as Accented Measures at Stage & Radio Manchester?

This debut live set is a milestone for me. It’s a chance to showcase unreleased material, experiment with live improvisation, and connect with the audience in an intimate setting. Stage & Radio’s revamped basement is the perfect backdrop for what promises to be a high-energy and immersive night.  

What role does community play in the underground music scene, and how do you contribute to its growth?

The community is the backbone of the underground scene. It fosters collaboration, inspires creativity, and connects people through a shared love for music. I’ve personally benefited from the friendships and support I’ve found in the scene.  

To give back, I recently announced private 1-to-1 assisted studio sessions, starting next February. It’s my way of sharing knowledge and encouraging others to explore their creativity.  

What challenges have you faced as a producer and live act in the underground music scene, and how have you overcome them?

Balancing studio time with being a father of two has been my biggest challenge. I’ve learned to be patient with my process and focus on quality over quantity. Taking breaks during challenging times has helped me rebuild motivation and return to the studio with fresh ideas.  

Are there any upcoming projects or releases under any of your aliases that fans should keep an eye out for?

Yes, I have a new record scheduled for release next year, featuring a remix by Diego Krause—a longtime inspiration of mine. It’s a project I started last year, and I’m thrilled to finally share it. Beyond that, there are many more releases and updates to come.  

What advice would you give to aspiring producers and live acts who want to make their mark in the underground scene?

Stay curious, believe in yourself, and don’t hesitate to reach out to artists you admire. While sending demos can work, self-releasing music gave me the freedom to operate on my own terms—a valuable approach to consider.  

Also, learning hubs like Studio Orbit by Kepler, Syntho by Josh Baker, and Nug-Net by Gene on Earth are fantastic for honing skills and understanding the industry.  

What are you most looking forward to about performing at this event and continuing your journey as Accented Measures, Prime Cosmo, and Project Earth?

I’m looking forward to connecting with the audience and sharing my creative vision in a live setting. This event marks the start of a new chapter for me, and I’m excited to explore the limitless possibilities within my music and aliases as I continue to grow and evolve. 

Keep updated on Instagram with Accented Measures, Mez Records and Accented Measured Series

Keep up with Accented Measures on Bandcamp and Discogs